作者太史文（Stephen F. Teiser），普林斯顿大学铃木大拙讲座教授、宗教学系终身教授。 太史文早年毕业于欧柏林学院，后就读于普林斯顿大学宗教学系，主攻东亚宗教，1986年获博士学位。太史文的博士论文题目为《中国中世纪的盂兰盆节》，这篇论文为他今后研究中国中世纪的民间信仰打下了基础，1988年，他在原博士论文的基础上修订出版了他的成名作——《中国中世纪的鬼节》（The Ghost Festival in Medieval China, Princeton University Press, 1988）。 译者侯旭东，清华大学人文学院历史系教授。 北京师范大学历史系博士，历任中国社会科学院历史研究所研究员、清华大学人文学院历史系教授。曾在美国哈佛大学、台湾“中研院”历史语言研究所做访问学人。主要研究魏晋南北朝史，兼及秦汉。先后从事东晋南朝经济...(展开全部)

Largely unstudied until now, the religious festivals that attracted Chinese people from all walks of life provide the most instructive examples of the interaction between Chinese forms of social life and the Indian tradition of Buddhism. Stephen Teiser examines one of the most important of such annual celebrations. He provides a comprehensive interpretation of the festivities o...(展开全部)

Andrew Eisenberg, Ph.D. (1991) in History, University of Washington, Seattle, is Associate Professor of History at Northeastern Illinois University in Chicago. He has published essays on Classical Chinese political history in the journals T'ang Studies, Theory and Society, and T'oung Pao. This is his first full length monograph.

Abstract: Having recovered from political persecution and resolved problems within the sangha, Buddhism reached a summit in its development during Sui and Early Tang China (581-755). Daoxuan (596-667) played an unparalleled role in shaping the direction of Buddhist history during the medieval period through both his rich writings and his innovations of monastic rituals and regu...(展开全部)

What happens when historiography—the way historical events are committed to writing—shapes historical events as they occur? How do we read biography when it is truly “life-writing,” its subjects fully engaged with the historiographical rhetoric that would record their words and deeds? The Threshold, a study of the culture of historiography in early medieval China, explores the...(展开全部)

This book opens in eleventh-century China, where scholars were the first in world history to systematically illustrate and document ancient artifacts. As Jeffrey Moser argues, the visual, technical, and conceptual mechanisms they developed to record these objects laid the foundations for methods of visualizing knowledge that scholars throughout early modern East Asia would use ...(展开全部)

Kevin Mitnick was the most elusive computer break-in artist in history. He accessed computers and networks at the world's biggest companies--and however fast the authorities were, Mitnick was faster, sprinting through phone switches, computer systems, and cellular networks. He spent years skipping through cyberspace, always three steps ahead and labeled unstoppable. But fo...(展开全部)

The Chinese territory is densely meshed with holy sites (mountains, caves, springs...) where the gods manifest themselves and where pilgrims come to meet them. The present volume, the result of a Franco-Japanese conference held in Paris in 2017, includes fifteen chapters in French and English, exploring the conceptions and practices at these holy sites; they build the analysis ...(展开全部)

The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in m...(展开全部)

The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in m...(展开全部)